Beabadoobee: Pylon review – voice of a generation’s surprisingly relatable rampage through rock star rage

(Dirty Hit) The Filipino-British songwriter’s fourth album sprinkles 90s alt fuzz with disarmingly sweet melodies and an impressive host of guests including Paramore’s Hayley Williams and Turnstile’s Brendan Yates Last month, the Guardian published a feature about the demise of the monoculture . It suggested that streaming services, personalised algorithms and the declining influence of radio and television meant we now live in a world where stardom isn’t as universal as it once was.

It used Sam Fender and Olivia Dean’s single Rein Me In as an example: here was a song that spent a record-breaking 23 weeks at No 1 yet hadn’t attained anything like the ubiquity you would once have expected: to judge by social media, plenty of people seemed to have never knowingly heard it. If you were looking to advance this theory, you might alight on the career of Beatrice Laus, the 26-year-old British-Filipino singer-songwriter better known as Beabadoobee. To a certain cohort, primarily female and in their late teens and early 20s, she is not just a huge star, but a genuinely iconic figure. The latter is an over-used adjective in 2026, but if social media abounds…